Tango

Another way to show emotion in an artistic way, is dancing, and the most passionate of all dances hs to be the tango, a mixture between the music and the fluid motions, the feelings behind the dance are made apparent from start to finish.

As I could not find any live performances near me I could photograph as primary research, I instead watched videos of performances online and paused the video in certain places to show the poses of the dance and draw which one I thought had an appealing expression to them, and also shows the feelings behind the performances.

I used a water soluble pen to draw the image out and watered the image to give a contrast between the foreground and background an draw out the detail and focus on the features of the subjects and show the expression to help connect to the passion of the performance.

Singers

There are many ways that people can display emotion, but there is no more passionate, artistic or entertaining to singing. It can be very easy to connect to the meaning and emotions that a song can portray. I have chosen five artists which I believe have the ability to show emotions in their songs in such a way, as many artists perform in such an uninteresting way, or have no real emotion in their songs.

I have done a series of images in a varied medium, although the majority are paint based, I have varied the paint types.

James Brown

Amy Winehouse 

Pavarotti 

Louis Armstrong

Otis Redding

The image I am most pleased with and believe is the most successful is the Otis Redding piece. I originally painted the piece with acrylics on a tan envelope, but as the envelope is only A5, I decided to scan the image into a computer and re-size is it to allow it to fit into my sketchbook in a collage in a more appealing way.

The composition of the image in the collage, allows the viewer to keep attention on the main image, but still gives attention to the reference photographs to the side and below. Rather than cluttering the collage with the same image I had used as reference to paint from I decided to give more of a selection of photographs of the artist, not only to for visual reasons,  but to give a viewer more of an understanding of what he looks like. I also added the black lines to border the image and give it some structure but in a creative way as I was trying to reference the staff lines on music worksheets.

Although I like the Pavarotti oil painting, the way I had imagined the painting is different, as I don’t have the greatest experience in oils I wasn’t quit skilled enough to detail the image as I had liked to. The colour on the other hand I am pleased with, the tonal qualities and skill colours fit very well and the shading was almost perfect to the image I had been using as a reference, and I believe I made the right choice with the positioning of the subject and the choice of for the background colour, as both factors add to the images effects and brings out the highlights of the skin tone. 

Alex

 With the image of alex I had photocopied I had drawn in a life drawing class, I then changed them by adding colours, I wanted to see if by changing them slightly by adding cold and warm colours, I wanted to see if by changing the colours it would change the emotion displayed. The image has a relatively sad look about it. The image with warm colours doesn’t quite fit in with its cold emotions it shows.

Self Identity

 The saying that the eyes are the windows to the soul has its own truths, out of all of the human features, they by far show the most of an emotion expression, even just slightly altering them can dramatically change somebodies appearance. So focusing on the eyes it will be beneficial to showing the emotions throughout the project.

During the process of my, self-identity, and looking into my own emotions, I used a selection of different mediums, between dry and wet media such as paint, ink, charcoal and conte and used them to emphasize the emotions behind the image.

For instance, in the first piece, I used a print of a skeleton and a darker selection of colours, once again to emphasize the emotion, also by collaging extracts from books, newspapers and magazines, which I believed where dark or sad to correspond to the idea behind the skeleton, underlining the negative emotions.

By centralising the composition of the figure, o find it keeps the focus on the main image, bringing more of a focus to the eyes mainly, and the detail in the face and skull.

I had the same idea for the next image, collaging different excerpts from newspapers and magazines I thought would adapt to the focus of the subject such as smoke, fire, news extracts with negative stories and sad dogs.  I once again centralised the image to keep focus on the eyes.

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David John Kassan

Using a varied media David John Kassan creates stunning pieces of art, the same as the othe r artist I have researched, he manages to capture the feelings behind the faces and apprehends the things other artist cant, using his subjects as the key feature and blanking out the background allows the viewer to concentrate on the main focus of his subjects.
He also has a particular skill towards his colour mixture and contrast between light and dark, and the mixture between the soft and hared scratchy lines gives his pieces more interest.

 
 

Arthur Hacker

Arthur hacker uses a very traditional method of painting for his work, with perfect lines tones and colours, contrasting his foreground and background and allowing the audience to distinguish between the main feature and the decorative elements.

The pieces of art he produced are stunning creations of visual beauty.

Jenny Saville

Rosetta 2
oil on paper, mounted on board
1970

reverse
oil on canvas
2003

Jenny Saville has the ability to create a piece of art that gets a message across and tells a story, although her work is somewhat disturbing, and quite hostile, she can still portray the emotion of her subjects. She may focus on the negative image of an emotion but the negative work expressions of the human face are much more interesting than those of a more positive nature.

The use of colour in her portraits shows the works true nature of the silent image, the feeling behind the work, although she ranges between hot and cold colours, no matter how she uses colours, the tones, textures and use of shading of gesture helps to create the emotion. She also focusses on the main subject of her image and avoids cluttering the background with unneeded distractions, all these factors together corresponds perfectly to create a perfect piece of work.